We’re excited to feature our top 9 images from our Instagram account, that had the most likes for 2016. Remember to tag #thefindlab on your images that we processed, for the chance to get featured. Now go follow these awesome photographers on IG!

Fuji 400H +1

Jake & Anna Tenny, Sweetlife Photography / Fuji 400H +1, Contax 645

Pentax 67II - 105mm 2.4 - Kodak Portra 800

Joshua Kim / Portra 800, Pentax67II

JB27276WAL106003-R3-029Alyssa Wallace / Portra 400, Rollei


Paul Krol / Portra 400, Contax G2


Winsome + Wright / Portra 400, Contax 645


Kimberly Barnes / Fuji 400H, Mamiya 645 AFD


Laura Sponaugle /  Portra 400, Contax 645


Travis J Photography / Portra 800, Mamiya 67 Proii


Justine Knight / Fuji 400H, Pentax 645N


When people hear that I shoot film on old cameras for all my family sessions I get a lotta raised eyebrows, mostly from digital shooters who come home from family sessions with hundreds, if not thousands of images. Let’s talk about the things peeps are thinking behind those sky-high brows and my top tips for successfully shooting families on film.

1. Stopping down isn’t gonna look hideous

Coming from a digital background, my first instinct with film was to shoot wide open alllll the time as much as humanly possible. My main concern was stopping down to f4 or 5…because let’s face it–portraits at f4 or 5.6 on a digital body look like pure garbage. Not so on a medium format camera! Lovely bokeh is easily achieved at f4 AND subjects are in focus! Stopping down to f4, especially when shooting manually, could save many a money shot. My rule of thumb: You’ve got two or more people who are on an even slightly different plane, f4 it is. Of course, for big group shots you’ll need to stop down even more, but the bottom line is to get unscared of numbers higher than 2.8.

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2. Don’t worry about “missing” the moment

The biggest fear I hear among photographers who balk at the fact that I shoot film for family work is that they’ll miss the shot. Kids move fast, and they are treasure troves of authenticity, fun, humor, and sweetness–so it makes sense that we would want to use gear that’s even faster than they are to truly capture all of those things. But. If you’re a digital family shooter you’ve had the experience of shooting an entire gigantic memory card of photos at a family session and delivering maybe 40-100 final images. What was going on with those hundreds and hundreds of rejects? Weren’t there “moments” happening?

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Film forces you to tell a selective story, instead of trying to capture it all and then piecing “the story” together after the fact. Film forces you to wait, to watch, and to find the one shot you want to take of a particular moment. Do I “miss” moments? Absolutely. Cuteness happens while I’m loading and unloading film every time. But letting go of the moments I’ll inevitably miss allows me to focus on the core of what I really want to say through my photos, instead of culling through images realizing that all I got was a bunch of fluff that was half-mindlessly shot and no meat. This means I’m directing more, not following kids around and waiting for them to give me what I want. This means more tricks, games, and yes, candy bribes, but it’s incredibly freeing to know what you want to say as a photographer and find ways to accomplish it instead of passively letting a shoot happen to you.

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3. I’m a slaaave…to the light

I shoot families in their homes, and the number one thing I’m looking for is great light. I’ve shot entire sessions scrunched up next to one window, and while I’ll admit that’s not ideal, the biggest tip for shooting families on film indoors is to let yourself be a slave to the light. I’ve moved furniture, cropped things out of backgrounds, shot on front porches and floors and through windows for the sole purpose of utilizing the available light. With digital you can get away with positioning a family away from a window, but with film, I’m snuggling them together next to the light source and side or front lighting the subjects when possible. Digital is so versatile that it runs the risk of making us lazy with light use, so if you’re not willing to choose light first over any other factor, shooting film in a family’s home might not be the best fit for you.

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To make the most of the glory of family and the beauty of film, the best thing you can do is get crystal clear on your vision of what you want to create during a family photo session. When you take the reins and make the magic happen instead of waiting for the stars to align, kids to listen and wind to die down, you’ll be free to make the photos your heart really longs to make.

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Brooke Schultz is hosting a workshop sponsored by the FIND Lab in southern california on November 5th! It’s one jam packed day focused on creating non-cheesy family photos that feel like you, with a slew of games, endlessly variable poses, and tips for dealing with nightmare situations like a boss while nurturing your creativity. Then, you’ll rewrite your entire website (yup!) with Brooke’s easy-to-follow recipe so your website attracts dream clients and makes it easy for them to hire you. The icing on this cake is 2 rolls of film and basic + processing from the lab, so go check out the details and reserve your spot here: http://brookeschultzphotography.com/heartful-a-family-photography-workshop-website-makeover/

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We are starting a series on our blog for you to get to know our team members here at theFINDlab! We thought we’d start with the man behind it all- our founder Jonathan Canlas! To learn more about what we do behind the scenes, follow our @behindfind Instagram account!


Age? 40

Hometown? St. Louis, MO

If you could go anywhere in the world, where would you go? Why? Home.  It’s my everything.

If you were handed $1 million right now, how would you spend it? I wouldn’t, I’d just pay stuff off.

How do you spend your free time? With my family and shooting film.

What would your perfect day consist of? Going to the beach to have a BBQ with family and friends.

Favorite book? The one that just came out as a movie…

Thing you’re looking forward to most this year? All of it!

Your favorite hero? Bo Jackson.

What would you sing at karaoke night? Justin Bieber till the cows came home.

If you were an animal, what would you be? I am already a gorilla.

Funny childhood memory? At a magic show in Little Rock Arkansas this guy asked me to come up and feed some birds some bird feed. I misunderstood him went to the front and ate whatever he handed me and sat down.

Which decade would you go back to, if you could time travel? I wouldn’t.

Do you or have you ever had a nickname? Jaunito




Spring is here and the weather is finally warming up! We’ve been seeing more and more film come through the lab as everyone is getting outside to shoot. Here are just a few of our favorite images from the month of March!


Wedding / Trish Barker / Portra 160, Nikon F5


Black & White / Nicole Young / TMax 400, Nikon F100

cartegena colombia-1-2

Travel / Studio Finch / Portra 160, Contax 645


Editorial / Whitney at Jessica Janae Photography / Portra 400, Hasselblad500C


Landscape / Paul Krol / Portra 800, Contax G2


Family / Amber Vongsamphanh / Kodak Gold 200, Nikon F100


With all this talk about turnaround time, theFINDlab will still be honoring our seasonal changes. As of today, April 1st, Basic and Basic+ orders will be sent out in five business days instead of four. Our premium turnaround time will stay the same at seven business days.

What?? Why’s this, do you ask? Well, there’s a couple reasons, the first of which is to maintain our commitment of delivering consistent and quality images to you, ON TIME. This means we’ve dedicated ourselves to getting orders out on time, every time, with no guesses of when to expect your scans. Oftentimes this means orders are even sent out early. It’s the perfect way to manage client expectations, on our side and on yours.

We were remembering back to last summer to the first instance when turnaround times was a hot topic…but for much different reasons. It was taking some labs up to four weeks to get images out to clients. We noticed this and put in the hours and set our standards accordingly. It’s no fun to receive orders late in any way, but it sure is great when they come a day or two early.

It’s important to our team here at theFINDlab to deliver the best possible quality in the most reasonable time. And stay tuned for some exciting news about an update on our 1for1 film purchasing program. Have a great weekend!!


Image Credit: Sara Johansen

Portra 400, Minolta Maxxum 7000